Designers: Spencer Davis & Scott Schenone Project Type: Concept Location: USA
Seems like there are always some major events happening daily, which would stir up people’s patriotic fervor. And yes, by shouting like that every day, sooner or later, we got used to it.
Just like the way we apply the Chinese language; when we see a Chinese character, we would know how to pronounce it, but its phonetic symbols would often escape from our memory! The act of shouting out “I love Taiwan” seems to have the potential to become a national movement, which would involve the production of a specialized logo, themed music,exercise routines, ways to shout out the slogans, and many other possibilities.
To manipulate it into a “National Brand” has many advantages, such as receiving sponsorship or sponsoring others or to be praised by the public or to back up others.
More importantly, the massive resources obtained from the manipulations could be turned into public benefits. In that case, the slogans will become something of substance.
Perhaps people that had a guilty conscience while shouting before would feel more at ease this way. Even though,after awhile, to shout out I love Taiwan on a daily basis like that could get quite exhausting. And have people around the world become aware of this brand?
If things would not get any better with us shouting up, we might as well actively pursue in shouting as loudly as possible. In the short run, this “National Brand” is still pretty useful internally.
LINK BY LEOGOGO DESIGN
From Dragon to Beast Exhibition,Learn about the evolution from dragon extinction to beast radiation. The upcoming exhibit features precious fossils from Gansu, China, including a 30-meter Daxiatitan, and more.
If kids are tired of too much informative knowledge about dinosaurs, the gallery offers them a roaring good time with an interactive animated game of digging out dinosaur fossils.
The other gallery of the exhibition,the beast gallery, displays more than one hundred mammal fossils. In this delicate gallery, visitors will explore the incredible range of mammal diversity, get close to the elegant fossils from Hezheng, and discover the structure and function in mammals.
Many of the fossils on display, which are of great significance to studies of the evolution of mammalian species, as well as the geographical and climatic changes of the Tertiary Period of the Late Cenozoic epoch, are shown to the public outside Mainland China for the first time.
In between the two galleries, visitors will learn about the fall of the dinosaurs and the rise of birds and mammals through specimens and illustrations on display.
Also, here visitors can go behind the scenes of the exhibition by viewing the time-lapse video documenting the installation of the exhibition.
Location:National Museum of Natural Science. LINK
The Melbourne Recital Centre identity had to do three things. The first to communicate the diversity of performances held at the centre. The second, maintain a presence in all communications either overtly or backstage. Finally, create cut through and originality in a market where events often overshadow the venue. The result is a polyphonic identity that is always changing and always unique just like the experiences to be had in the venue.
the 'grace' chair by giopato & coombes is conceived as an essential structure is completed with different covers - a kind
of dress to choose depending on user's taste. developed in collaboration with living divani, the collection implements
interchangeable textiles fittings to characterize the look of their living environment. the structure of uses rectangular
steel tube framework, painted in epoxy black. the 'grace' chair is being presented during milan design week 2013.
方形鋼管的結構，表面塗佈環氧樹酯
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2012即將結束，耶誕節你要送甚麼，國外網站所評選出來的禮物指南，可以參考看看，畢竟很多在台灣是買不到。
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“New Axe Anarchy for him + for her. Unleash the chaos.” Agency: BBH, London, UK Creative Director: Dominic Goldman, David Kolbusz Creatives: Daniel Schaefer, Szymon Rose
“i-Miev. Australia’s first volume produced electric car is on sale now.”
Agency: Clemenger BBDO, Sydney, Australia
Executive Creative Director: Paul Nagy, Mike Spirkovski
Creative Group Head: Adam Whitehead, Matt Vandermark
Art Director: Adam Whitehead
Copywriter: Matt Vandermark
Retoucher: Toby and Pete
Executive Creative Director: Paul Nagy, Mike Spirkovski
Creative Group Head: Adam Whitehead, Matt Vandermark
Art Director: Adam Whitehead
Copywriter: Matt Vandermark
Retoucher: Toby and Pete
Agency: Ogilvy & Mather, Hong Kong Executive Creative Directors: Simon Handford, Sandy Chan Creative Director: Alvin Lim Art Directors: Alvin Lim, Sonny Tjahjadi, Jason Pan, Hubert Yeung Associate CD / Copywriter: Richard Sorensen Retoucher: A Thousand Eyes
